" What is the most resistant parasites? Idea. A single idea of \u200b\u200bthe human mind can build cities. An idea can change the world and rewrite all the rules. And that's why I steal "
The dream as psychoanalytic context. Place of mind where you can warp let events or compressed, as a solution to a problem, but that solution seems simplistic and strangest original. The dream can offer a narrative quality, with the same processes and structures, and other similarities. The ego of the dreamer participates in a story as if the story was written by another; the ego in the dream does not experience himself as if he had control over own destiny and not have a sense of understanding and order in his world.
extraction / graft. The breakdown of the plot consists of three levels. From the perspective of the story carrying the dream and narrated the script. Poised constant between the real world and the dream, the viewer supports / gets in the depths of the subconscious and the only possibility that is given to resist so possessed / degradation events is a small metal top, a "totem" that allows distinguish different levels of object representation. But in reality is another fiction, preparing the mise en scene film. Cobb
the protagonist living a dream for all duration of the film (when he wakes up from the sea, until he returns home to finally see their children) to get rid of the morbid idea of \u200b\u200bhis ex-wife, Mal. Cobb grafting organizes a dream structured into three levels, attributed to Robert Fischer (son of a billionaire industrialist), an idea that would not otherwise have had. Christopher Nolan's film insinuates the viewer into the perennial question of the reality of dreams and dreams of reality.
studying and deepening the dynamics of the dream in the dream, we move from the dream of Robert Fischer (set on the streets of a city while a thunderstorm rages), the dream of Arthur (set in a hotel) until dream of Eames (set in a mountain resort). The central role of Ariadne (played by Ellen Page), as in the myth that helped Theseus to escape the maze in which he was imprisoned, assembles the structure of the dream to retrace the context of the real size.
The realization of the script of Inception began ten years before its theatrical release. The idea of \u200b\u200bworking on a film which dealt dreams began to affect the time when Nolan worked on Memento (2000). The director shelved the project when the script was composed of about eighty pages. Later he devoted himself to Insomnia, the 2002 film which tells the story of a detective haunted by insomnia whose minds are distorted by the deleterious lack of sleep. The project to build Inception was again rescued thanks to the advice of his wife and co-producer Emma Thomas, but again sidelined since some years before it was released in theaters Matrix (1999), whose story resembled too much the themes of his script. Sufficient time has elapsed, the director began to work seriously to the idea. Nolan, fascinated by the dream world, exploring ways to apply the concept of sharing a dream and the way in which the human being is capable of producing strong emotions in this state. Inception is based on the idea that in dreams, each perception is real and that they can be hidden in the subconscious and thus discover the hidden secrets.
In the final room of the father of Robert Fischer (black) highly reminiscent of the final room of 2001 - A Space Odyssey (white) when Captain David Bowman finds himself old at the end of the different stages of their lives in front of the black monolith and the human fetus.
" dreams seem real until we were inside, do not you think? Only when we wake up we realize that something was wrong "
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