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Regen (Rain , 1929)

Ivens approaches to man, to catch the daily reports of its existence. This documentary, in fact, reproduces the Amsterdam before, during and after rain. The pointed roofs against the blue sky, the clouds and then cross the stormy gusts from twisted linen, and then the rain falls slowly, then more and more dense, rooftop, on umbrellas, on the canals, the windows of vehicles, regurgitating from manhole covers, expanding into large gorges crossed by the wheels of cars across a series of images suggests the lyrically eloquent poetry of humble things, certain dialects different attitudes of urban life. And the company comes into play, with the humble who go on foot and are mired in fast cars and impersonal. The camera is constantly moving, curious and pervasive: catches the passer-by who raises the collar and extends up to the first drops fall, he stops watching the boatmen who continue their work, is lost among the passers-by hurried or rears to consider them from the rooftops, focuses on benevolent consider a cluster of curious umbrellas in the space of a street. When the rain begins to lose their umbrellas close, the reflections disappear magic water (L. Gizio, Joris Ivens in Cinema, III, 54, 15 January 1951).

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CARAMEL

delicate, intense, intelligent.
Nadine Labaki, along with the protagonist and the film's director, offers a fresco on women set in Beirut.
10 the subject and the screenplay. It is the story of women treated by women, without hypocrisy, without rhetoric, their delicacy, but also their strength. Its development is articulated in everyday life, small and large events. Love, the passage of time, the difficulties of feeling at the end are nothing but the search for a genuine change. 10
interpretation. It's nice to see a smiling face as it is nice to see the look of a tragic character who comes in to touch the strings hidden. The stars we can always start to finish 10
photography. Deep and vigorous strokes, the colors, the tones, the selective focus. A balance Refined always appropriate. 10
the musical score. Constant but never granted, such as touching topics. Need for what is its purpose, to emphasize the narrative in its highlights.
8 / 9 assembly. It is carrying out a "alternate" and therefore deserves a special appreciation because it is not easy to connect through a single wire narrative sequences of each other. Perhaps at some point is not really effective, but still manages to go along with the story (stories) with the right timing.

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Architecture Vision




Complicating is easy, it is difficult to simplify. To complicate just add, all you want: colors, shapes, actions, decorations, characters, environments full of things. Remove instead of adding the rule could also be visual communication ... ... as the four-dimensional cinema. Remove
instead of adding means to recognize and communicate the essence of things in their essence (Michelangelo Antonioni).

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Angel Heart is a 1987 film directed by Alan Parker freely adapted from the novel "Falling Angel" by William Hjortsberg 1978.
New Orleans, the fifties. Detective Harry Angel was hired to investigate the mysterious disappearance of Johnny Favorite, a former singer was disfigured in war. The assignment he was entrusted by a certain Louis Cypher (Lucifer).
The plot (and found the narrative) winds around a man. A man who investigates a (another) man and (for) research itself.
Despite the removal process, burst lightning in the execution of events, such as awareness that occurs during this psychic mechanism that moves away from the ego consciousness which was considered intolerable, and whose presence would cause pain. To
narrative elements used (eg. The egg and soul, good and evil, the descent of an elevator) interweave multiple design elements and its semantics.
Hot air: fans; Water: rain water that washes the body of a woman, the rain water that washes the walls and becomes blood; broken mirror, a woman dressed in black who cleans the walls of a dirty room with blood. The assembly is used
connotative (semantic). The construction of meaning in fact rests on the conflict, or on collision between two or more shots that are next to each other.
Only at the end the detective discovers the horrible truth about Favorite, he is actually Johnny Favorite, an artist who had sold his soul to the devil for success. Once you have fame and glory had tried to break the pact with Satan through a magic ritual, in which he had sacrificed Harry Angel, a veteran War, taking possession of his identity. It is
oppose "I know who I am" to resist the inevitable end (down to hell) of the protagonist.