Monday, January 31, 2011
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Three days dall'eleminazione from the Italian Cup is back on the field against one of the most successful teams in the form of the moment.
An Occasion to lift his head, or to sink inexorably.
Juventus takes the field with the best intentions, but the current limited technical skills and tactical-athletes do not allow you to reverse course.
The first time slips away without jolts details. In the second half is
Marchisio, with a beautiful goal in the semi-inverted, to give the illusion rebirth; Zapata Sanchez and bring us back to the sad reality.
defeat inevitable.
Some people expect a shot from the last day of soccer market, but it will never be a single player to reverse course. The problems come from as far away as a bad programming.
We are now a team from mid-table, Let's face it. We must get back to winning, but there can be no illusion that can happen from year to year, serving a program of several years.
President and leaders have the courage to say this to the people of Juventus?!?
At the next meeting.
Sunday, January 30, 2011
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Israeli Gal Ben-Arav designer has created a bench using raw bamboo bench and cast aluminum.The Was created as a final project at Bezalel Academy of Arts and Design in Jerusalem.
Sustainable is a wide concept. I chose to deal with it in the context of raw material, living environment, localism, and sustainable system.
The bamboo plant is renewed very quickly, therefore energetically efficient, with high mechanical strength and durability to weather conditions. Bamboo has wide range of configurations as a raw material, from its raw form, through compressed plates to veneer processing.
I chose to use bamboo in its raw form. In this way, the processing is minimal as well as the invested energy, it can be 100% recycled and the out coming morphology creates a new micro-wild natural environment that can be situated in an urban, industrial and gray environment and revive it.
Bamboo bench has two narratives:
My Inspiration to the bench lies in an image that was taken from the 30′s from my childhood landscapes with two workers leading bundles of papyrus through a swamp (see below). This photograph personally connected me to the bench and guided me to the wild morphology of the design.The second narrative is the narrative of the product life cycle. Bamboo is not a characteristic species to the Middle East, but its origins are in Asia, however today it is grown in a controlled manner here in Israel. In my vision such a bench reflects a complete system that maintains itself through a life cycle that is built on three repeated main stages that preserve the sustainability values in a full manner:
- Growing bamboo – Establishment of a new agricultural industry, creating new economic opportunities, new sources of income and making the bamboo a local material that saves the need to import.
- Building a bench that integrates in the surrounding living environment in an energy-efficient manufacturing process.
- Recycling the raw material following weathering processes or vandalism that occurs frequently to street furniture. Used bamboo can be recycled to produce packaging or for many other purposes.
Through the design process, I tried to keep the materialism of the bamboo, its natural morphology, its simplicity, but on the other hand, to create a conflict and tension between the natural bamboos to the industrial aluminum casting.
Street: Contemporist
Saturday, January 29, 2011
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Carlo Mazzacurati (2010)
The reality is what counts. The cinema, as we toil to capture the essence of things is always a substitute for reality, its own reproduction useful for the management of human emotions. But the feelings that make the existence in reality and only reside in it. The scene is
choir but there's a man at the center, including a director. A man who, after a brilliant career, he spent his ideas.
Although they face the obstacles of everyday life and the strategies of commercial cinema, with its fictions and its greed for profit, the director is to blackmail the city administration of a small country Tuscan, a need to construct a representation of Christ's passion.
The unintended presence in the small community and the man put together the record before the reality of human beings, their true feelings, their virtues, their faults.
When the time of the representation, after a series of tragicomic and unexpected difficulties, a thief will play the role of Christ. A fat man who has no money, which is persecuted by the police and has no escape from a society that mocks and scorns him.
At the end of the play, when Jesus Christ was crucified on Golgotha \u200b\u200bwith two non-EU side, the director will not have words to comment on the staging that although he himself has unwittingly set up and a storm will fall on the ground, on any, on all men.
The director laughs, and while it's raining cats and dogs look at the Magdalene (played by a Polish girl who chose to follow his love of man in the small Tuscan village decided to abandon its aspirations, but in the conviction to do what they are worth living, sharing life with another person) cry under water.
is an awareness that the director and the girl who unwittingly unites them in spite of the events and a different fate for both. But their look is now projected into the future.
Peace, silence and grateful attention
carry this and prepare your talent
to stir the heart to devotion on this day
valuable and worthy. Seeing the passion play
That sour kingdom of our Christ on
where to lead our souls to the port
was crucified, tortured and eventually died.
Friday, January 28, 2011
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Last night he played the quarter-finals of the Cup Italy between Juventus and Roma.
part of Juventus was the worst game in preseason and in practice is not the midfield that one side was not a filter and the other was unable to inspire the tips.
seems that the market is looking for a bit, in my opinion should find some midfield: yesterday was on the bench and Marchisio Aquilani and their absence was felt. At the next
incotro.
Thursday, January 27, 2011
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"Free Work" is the literal translation of LibreOffice .
This is a free and open-source suite containing a word processor, spreadsheet, an application for presentations, an editor for diagrams and mathematical equations.
In other words, a free alternative to the typical Microsoft Office.
This suite was created as an offshoot of OpenOffice , after it has consumed a rift between Oracle, the holder of the mark, and the developer community.
course is guaranteed great flexibility, allowing users to edit files created with Office or OpenOffice.
I will give you more details as soon as I installed.
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TRIESTE - Ninety works, seventy paintings and twenty drawings, watercolors and inks: this shows the body of Giorgio de Chirico. A majestic silence, set up, 3 December 2010-27 February 2011, at the stables of the Miramare Castle in Trieste, which traces the ' artistic overview of one of the absolute masters of the twentieth century.
The exhibition starts from the second decade of the twentieth century, with masterpieces such as The Great Tour 1915, Enigma departure 1914, Temple of Apollo at Delphi of 1909-1910, or Vase Chrysanthemums 1912. Just what the square is one of the key issues of the Met. De Chirico this free space, which is traditionally a meeting place, and makes it empty, almost unrecognizable, where the past and present intertwine, creating a time suspended, to become a stage populated by Muse, Mannequins, Statues, Oracles, Arianne.
In those years, the artist pursued a new language that differs from the impressionist styles from new research or cubist and futurist, and that brought him to an original representation and synthesize the suggestions from the classical culture of his native Greece, and the discovery of the thought of Nietzsche and Schopenhauer.
In its intent, which anticipated a rigorous elements that underpin contemporary expressiveness, there is the rejection of anthropomorphism, which was claimed as the de Chirico, to abolish completely the man as a reference point as a means to express a symbol, a feeling or a thought , who led the art until the early twentieth century.
fact, de Chirico puts man, not as a form, the focus of its work. If the Impressionists photographing the outside world as they appear, if Picasso sets out a new space and more prospective Futurists the universal motion, he would like to represent those inner feelings that are the lifeblood of the human soul. From the stage of its squares
de Chirico takes real objects, removing them every real function, structure as a new language, or the Met, which has indeed begun to Surrealism and its developments, but also sets the basis for much research contemporary.
De Chirico has expanded its metaphysical exploration in the twenties and thirties, completely changing the classic iconography of the streets, reaching happy inventions such as archaeologists, the Gladiators , the furniture in the valley or the mysterious baths. The exhibition will give account of this evolution through a nucleus works of this period as a female figure 1922, Interior and metaphysical Archaeologists 1925, furniture in the valley of 1927, as well as riding on the beach 1928, Gladiators (La Lutte) , Horses and Dioscuri Life and silent 1929, Horses on the beach 1930, Hector and Andromache of 1935 and will close with some very significant works of the '40s and '50s.
The exhibition devoted to Giorgio de Chirico is part of the project From Met Art that, until February 27, 2011, will see the stables of the Castle of Miramare, host the staff Fabio Mauri, A dreamer of reason presenting five large installations, as well as paintings and drawings of the fifties, the artist made Roman, reworking their traumatic experiences of teens and war, is to realize the history in making things, like a great still image, a dense drama and rare beauty, the human and the exhibition mirrors enigma. Artists around De Chirico, set up inside the castle, with works by 15 contemporary artists, like Adam, Ceron, Chia, De Dominicis, NATHAM, Schifano and others who have made more or less explicit homage to de Chirico and refer his poetry.
The initiative is promoted by Galatea Cultural Arts Association, organized by Tadino Contemporary Art, in collaboration with the Soprintendenza of Friuli Venezia Giulia and is curated by Silvia and Roberto Pegoraro Alberton.
From Met Art
From 3 December 2010 to February 27, 2011
Miramare Castle - Trieste
Giorgio de Chirico. A majestic silence
Fabio Mauri. A dreamer of reason
Mirrors enigma. Artists around De Chirico
by Roberto and Silvia Pegoraro Alberton
Open every day from 9.00 to 19.00; ticket office closes one hour before
Tickets: Adults: 8,00 €, Reduced: € 6.00 (for groups of 15 persons, visitors over 65 years, children from 11 to 18, students up to 26 years (with student card), military) Free (for children under 10 years old, the handicapped, a crew member for each group, two escorts for each school group, a crew member for Disabled people required, registered as journalists).
Info: tel. 040224143info@castello-miramare.it
www.castello-miramare.it
Street: ConnessoMagazine
Monday, January 24, 2011
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Thursday, January 20, at the Caffè San Marco, was held the first symposium of the project Manifetso 2020.
The symposium was held in two parts: the first in which they revealed to present the project and a second in which the guests and the public have intervened to initiate a debate on the future of architecture and the city of Trieste. In fact, the ultimate goal of the project Manifetso is to produce real solutions to current needs and shared citizenship: it is, therefore, at this point to detect some problems in the city and to provide ideas for solutions. Marco
Barbariol first and then Mark Svara explained the first phase of the project Manifetso, collection of data through a questionnaire in many local citizens and public on-line web Manifetsto2020. The team has addressed this Manfietso first questionnaire to the population group ranging from 18 to 30 years, implying that there will be other surveys used for other age groups. This first moment of the duration of one month is intended to address the research topic of the working group Manifetso, currently consisting of 12 persons but that organizers hope will become more numerous.
then opened the discussion with the guests at the evening at the Caffè San Marco. Were present for the Arch. Andrea Dappretto (president of username Architects), local councilors and Fabio Homer, Piero Camber, Maurizio Ferrara, Edoardo Sasco, Vice-President of the Province of Trieste Godina and Walter Dean of the Faculty of Architecture in Trieste Arch. John Frazer.
The guests attended with sincere enthusiasm to the project commenting and dispensing advice to members of Manifetso2020, but at the same time warning them of the institutions due to the coldness inherent in the bureaucracy and the same economic hardships that are currently local authorities. It also indicated the need to maintain a global vision and a consistent development model to inspire them.
The discussion between the public, sponsors and guests and then continued focusing on clarifying some points of the project and then, especially on the architectural aspects of the city. On these issues, Marco Svara pointed out that "a complex society requires a complex answer but not complicated", so that creates synergies between the different skills necessary for the government and the city's development. From our side, we sincerely hope that the initiative succeeds in Manifetso 2020.
Photo: Francesco Iuretig
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I have not seen the game, I could see only the last 5 minutes.
Just enough time to see Captain Del Piero missed a goal almost done.
At the next meeting.
Friday, January 21, 2011
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Santa Teresa neighborhood is a historical burdens That offers great views of the city of Rio de Janeiro. The house is located in one of the points of Santa Teresa's Highest hill. From the north side of the house it is possible to see the old downtown; from the south side, a more panoramic view of Pão de Açucar and the Guanabara Bay. The site starts at 100 m above sea level at the cable car street and finishes at 125m at a breathtaking viewpoint of Pão de Açucar.
The project takes into consideration the two pre-existent levels of the pronounced topography: 120 m and 125 m over sea level.
At the lower level, there is a linear block that leads to the bedrooms and the office. Their main glass facade opens up to the enjoying garden on the east side. These two prismatic and linear volumes are opened on the east and west sides but are completely closed on the north and south sides, living the ground under them empty. The roof was designed to make a complementary ground on the upper plateau.
The living room is located over the higher plateau providing a view of downtown on the north side and of the Guanabara Bay and Pão de Açucar on the south. This volume is closed on the east and west sides to avoid sun heat and to emphasize the magnificent views on the other sides. It leaves the level below completely open. Thus, there is a bare level between bedrooms and living room which is filled by the kitchen, where, according to the traditional Brazilian culture, most people will spend their spare time.
It is a spread out and blown-up construction that should become part of Rio de Janeiro’s landscape.
Photography © Nelson Kon
Street: Contemporist
Web: spbr Architects
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Trieste, January 26, 2011, at 18.00 Teatro dei Fabbri
Walking through the streets of Trieste: from awareness to local policies
"Walking," more and better in city, is a word key to achieving a better quality of life for citizens in terms of socialization, health, psychological well-being and enjoyment of the city. But as you can now "walk" - and even more "walking well" in a safe and healthy environment - in Trieste?
What are the benefits of walking for people? How we wish it were easier to walk and how you can do to make
walking safer and more pleasant for everyone, beginning with the elderly, children and mothers? These questions, with a pragmatic approach and a participatory and open debate at the end of the work, we seek answers and proposals with:
Vittorio Alberto Torbianelli
University of Trieste, Faculty of Architecture
Claudia Adrian Marcon
Venudo
"Stradivarius associated architects, Trieste
Debetto
President UISP Elena (Italian Union of Sport for all), Trieste
Following this, scheduled interventions
FREE ADMISSION
Trieste3mila
Thursday, January 20, 2011
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I must point out an interesting section on the site of Corriere della Sera, called "Eating in Milan .
Within this section you can find, in addition to a rich list of clubs, even the "gourmet maps" that indicate the best places in Milan for a particular category. The final map covers the
pizza made in Milan.
Some of the shows the pizzeria I've tried it, while other do not know.
Needless to say, I'll come to know as soon as possible.
Wednesday, January 19, 2011
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will be held in Milan, January 20 to 23, the 3rd World Salsa Meeting .
This is a unique moment, where professional artists of world renown and simple lovers of music and dance of Latin-American meet.
The program includes various stages, but also exhibitions, competitions and of course lots of music to dance to.
Tuesday, January 18, 2011
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One of the great innovations in the field of television and film is definitely the 3D .
Sunday, January 16, 2011
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In September two years ago, I replied to an email by the then administrator of this blog that was more or less like this:
| ctrlX The group seeks new recruits who pass the baton to manage the blog of the faculty. born in two thousand and eight by the need to give voice to students of Architecture on all matters affecting the faculty and its recent upheavals, the blog has over time become the main reference point for information, debate, exchange of ideas and new proposals. But rather an area where you can talk about architecture in three hundred sixty degrees. The founding fathers, who have now reached the terminus of their academic experience, therefore seeking new willing who are interested to pursue and disseminate as much as possible the project ctrlX. Now do your thing, send us comments, let us have any questions ... and tell us what you think of the blog! The Board thanks you all |
I did not know that it would turn into the most interesting of my whole college career.
But like all things, sooner or later, we must go forward.
Now in a few exams after graduation, I can not keep track of the blog, and what little I can do, in recent times is a simple copy / paste from other sites.
Yet I would hope that a degree of continuity, and I'd like someone to take up this site and continue to pursue.
the same way, Darius, gave me the opportunity to grow and continue to get interested in architecture, now do the same ad to you, loyal readers and supporters.
For those interested or who just want information, the mail is ctrlx.architettura @ gmail.com.
Always there for you,
Lorenzo "tetsu" Pentassuglia.
Ps: the invitation is addressed both students than to those of Gorizia Trieste
Saturday, January 15, 2011
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Svara
(Councillor for Culture and museums - Communication),
(CPT), Mr. Maurizio Ferrara
Marco Svara
Wednesday, January 12, 2011
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film of 1970 by Elio Petri
At sixteen Sundays twenty-four August, I killed Mrs. Augusta Terzi with cold determination. I have only one mitigating factor: the victim is systematically taking fun of me. I left clues everywhere, not to mislead the investigation, but to try to prove ... to prove my unexpectedly. However, when did you condemn an \u200b\u200binnocent person in your place, your surprisingly has not been established. (The manager )
Sunday, January 9, 2011
Tuesday, January 4, 2011
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Swedish architecture firm Jagne Faltmilton proposed an interesting project for a competition to design a master plan for the Norwegian city of Andalsnes. They didn’t win first place but their proposal was innovative enough to finish third. The mobile buildings structures of the city on railways is such a great idea, a great occasion to reorganize its life according to the seasons
Sunday, January 2, 2011
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MILAN DOWNTOWN. action and public places of living
http://www.etal-edizioni.it
http: / / www.facebook.com/pages/Milano-Downtown/166835303334688
,
at the Faculty of Architecture, Politecnico di Milano, Via Ampere, 2
feedback Ota de Leonardis and Pier Carlo Palermo