Equipment Marmomacc
(images of the Iaconig) Monday, December 20, 2010
Thank You Note For Community Service
part of the cultural events promoted by the 44 th edition of Marmomacc, this year was awarded the prestigious Best Communicator Award 2009 for those companies that have best been able to consistently present in the care of the stand, its image and the results of your search.
Now in its third edition, this Award was created with the intention of promoting the best exhibit design projects and highlights the most innovative strategies for business communication, purchasing, from edition to edition, a growing interest from visitors, of professionals, and especially the praise from international critics. further objective of the award is to focus attention on the exhibition stands as temporary space, able to represent the identity of the exhibitor, to offer possible new perspective in the application of natural stone, while stimulating the involvement of architects and designers in the construction of ideal scenarios, inhabited by many potential expression of marble. But not only. Focusing on the impact that even a different creative approach can and should respond to a different production model, which is closely interconnected with respect for the land and the environment. short, an award that does not necessarily establish a ranking, but rather to highlight, in a broader context of integrated communication, quality projects both at temporary installations, is that of brand identity.
The awards ceremony was held Wednesday, September 30, 2009, the authoritative jury Mauro Albano (Brand Manager Marmomacc), Aldo Bottoli (Research System Observatory Color), Academy Hills (The Bathroom Today and Tomorrow), Vincenzo Pavan ( Coordinator of the events of Architecture Marmomacc) and Livio Salvadori (Casabella) identified and selected by the 'showcase' of the stands in the exhibition, the most deserving for this award, awarding it an important and valuable piece of design. Now in its third edition, this Award was created with the intention of promoting the best exhibit design projects and highlights the most innovative strategies for business communication, purchasing, from edition to edition, a growing interest from visitors, of professionals, and especially the praise from international critics. further objective of the award is to focus attention on the exhibition stands as temporary space, able to represent the identity of the exhibitor, to offer possible new perspective in the application of natural stone, while stimulating the involvement of architects and designers in the construction of ideal scenarios, inhabited by many potential expression of marble. But not only. Focusing on the impact that even a different creative approach can and should respond to a different production model, which is closely interconnected with respect for the land and the environment. short, an award that does not necessarily establish a ranking, but rather to highlight, in a broader context of integrated communication, quality projects both at temporary installations, is that of brand identity.
The first prize was awarded ex aequo to: Iaconcig Piasentina Stone (Udine), designed by architect John Vragnaz
Modland in cooperation with the firm, for how the project could address the perception of the material, transforming values \u200b\u200bthrough different surface qualities in architectural elements. And Vaselli Marmi (Siena), designed by architects Marco and Emanuel Gargano beans, for the originality and the ease with which has resulted in the perimeter structure of the stone material strength and consistency of formal solutions in interior design. Source: http://www.architetti.com
Modland in cooperation with the firm, for how the project could address the perception of the material, transforming values \u200b\u200bthrough different surface qualities in architectural elements. And
Here's a video interview, Arch. Vragnaz.
(images of the Vaselli Marmi)
Sunday, December 19, 2010
Dogo Argentino Vs Boerboel
Vertigo (The woman who lived twice)
FT THE WOMAN WHO LIVED TWICE (VERTIGO) and 'based on a novel by Boileau-Narcejac, entitled D' Entre les morts, and that it 'was written especially for her, 'cause they made a movie.
AH but it was already 'a book before they bought the rights to me. FT
What 's that was more interested' in this book?
AH What interested me were the efforts made to create a woman James Stewart, starting with the 'image of a dead woman. As you know, this story is divided into two parts. The first comes to the death of Madeleine, his fall from 'top of the tower, and the second begins when the protagonist meets a brunette woman, Judy, who looks like Madeleine. In the book, at the 'beginning of the second part, the protagonist meets Judy and requires it to look more' than actually 'did not seem to Madeleine. And 'only at the end that we learn, along with James Stewart, it was the same woman. It 's a final surprise. In the film, I have proceeded differently. All 'beginning of the second half when Stewart met the brunette woman, I decided to immediately reveal the truth', but only to the viewer: Judy is not 'a woman who looks like Madeleine, and' own Madeleine. Around me all were opposed to this change, 'cause they thought that the revelation of' identity 'Judy were to be held by the end of the film. I imagined it to be a child seated on the knees of his mother who tells a story. When the mother stops telling, the child invariably asks: "Mommy, what happens next?". I discovered that in the second half of the novel by Boileau and Narcejac, when he met the brunette type, everything continues as if nothing happens after no. With my solution, the child knows that Madeleine and Judy are just the same, identical woman. So 'now asks his mother: "So James Stewart does not know? - No".
Here we are again in front of our usual alternative: Suspense or surprise? Now, we have the same course of 'action c' was in the book, Stewart for a while 'time will believe' that Judy is really Madeleine, then resign 'at the opposite idea, provided that Judy agrees to resemble in every respect Madeleine. The public, however, has received 'information. So we created a suspense based on this question: How will 'James Stewart finds out when' that she lied and that it 'actually Madeleine? Here's our main thought. I would add that another reason the film exists of interest in addition to this, 'cause you look at the strength of Judy to become the new Madeleine. In the book there 'was a woman who did not want to be transformed, everything Here, in the film c 'and' a woman who realizes that this' man gradually exposing the lies. Here 's the plot. There 's something else that will call' "psychological sex" and it 'here' the will 'that drives this' man to create a sexual image not possible, in a nutshell, this' man wants to sleep with a dead woman, is is necrophilia.
FT fact my favorite scenes are those in which James Stewart Judy accompanies a great tailor to buy a suit identical to the one that led the Madeleine, the care with which chooses the shoes, like a maniac ...
AH It 's the fundamental situation of the film. All the efforts of James Stewart to recreate the woman, cinematically, is shown as if trying to strip it instead of dressing. And the scene I felt more 'was when the woman comes back after having her hair dyed blond. James Stewart is not 'fully satisfied' cause has not collected his hair in a bun. What does this mean? It means that it 'almost naked in front of him, but he still refuses to take off their panties. Then James Stewart shows appealing and she says: "D 'agreement is good," and return to the bathroom. James Stewart is waiting to come back naked this time, ready for 'love.
Adapted from THE CINEMA ACCORDING Hitchcock by Francois Truffaut 
FT THE WOMAN WHO LIVED TWICE (VERTIGO) and 'based on a novel by Boileau-Narcejac, entitled D' Entre les morts, and that it 'was written especially for her, 'cause they made a movie.
AH but it was already 'a book before they bought the rights to me. FT
What 's that was more interested' in this book?
AH What interested me were the efforts made to create a woman James Stewart, starting with the 'image of a dead woman. As you know, this story is divided into two parts. The first comes to the death of Madeleine, his fall from 'top of the tower, and the second begins when the protagonist meets a brunette woman, Judy, who looks like Madeleine. In the book, at the 'beginning of the second part, the protagonist meets Judy and requires it to look more' than actually 'did not seem to Madeleine. And 'only at the end that we learn, along with James Stewart, it was the same woman. It 's a final surprise. In the film, I have proceeded differently. All 'beginning of the second half when Stewart met the brunette woman, I decided to immediately reveal the truth', but only to the viewer: Judy is not 'a woman who looks like Madeleine, and' own Madeleine. Around me all were opposed to this change, 'cause they thought that the revelation of' identity 'Judy were to be held by the end of the film. I imagined it to be a child seated on the knees of his mother who tells a story. When the mother stops telling, the child invariably asks: "Mommy, what happens next?". I discovered that in the second half of the novel by Boileau and Narcejac, when he met the brunette type, everything continues as if nothing happens after no. With my solution, the child knows that Madeleine and Judy are just the same, identical woman. So 'now asks his mother: "So James Stewart does not know? - No".
Here we are again in front of our usual alternative: Suspense or surprise? Now, we have the same course of 'action c' was in the book, Stewart for a while 'time will believe' that Judy is really Madeleine, then resign 'at the opposite idea, provided that Judy agrees to resemble in every respect Madeleine. The public, however, has received 'information. So we created a suspense based on this question: How will 'James Stewart finds out when' that she lied and that it 'actually Madeleine? Here's our main thought. I would add that another reason the film exists of interest in addition to this, 'cause you look at the strength of Judy to become the new Madeleine. In the book there 'was a woman who did not want to be transformed, everything Here, in the film c 'and' a woman who realizes that this' man gradually exposing the lies. Here 's the plot. There 's something else that will call' "psychological sex" and it 'here' the will 'that drives this' man to create a sexual image not possible, in a nutshell, this' man wants to sleep with a dead woman, is is necrophilia.
FT fact my favorite scenes are those in which James Stewart Judy accompanies a great tailor to buy a suit identical to the one that led the Madeleine, the care with which chooses the shoes, like a maniac ...
AH It 's the fundamental situation of the film. All the efforts of James Stewart to recreate the woman, cinematically, is shown as if trying to strip it instead of dressing. And the scene I felt more 'was when the woman comes back after having her hair dyed blond. James Stewart is not 'fully satisfied' cause has not collected his hair in a bun. What does this mean? It means that it 'almost naked in front of him, but he still refuses to take off their panties. Then James Stewart shows appealing and she says: "D 'agreement is good," and return to the bathroom. James Stewart is waiting to come back naked this time, ready for 'love.
Adapted from THE CINEMA ACCORDING Hitchcock by Francois Truffaut
Why Does Placing The Speculum Hurt
Webmobili 2010 - search engine furniture.
I wanted to point out that my little discovery: a site of online catalogs, well done and very direct. In home page shows a breakdown by area and so many sub-areas of a manufacturer, browse the catalog and found the product in a box on the right shows the range of possible price while typing in the box on the left of the province you will be sent to the nearest shops where you can buy the product.
Here's the address:
http://www.webmobili.it/
I wanted to point out that my little discovery: a site of online catalogs, well done and very direct. In home page shows a breakdown by area and so many sub-areas of a manufacturer, browse the catalog and found the product in a box on the right shows the range of possible price while typing in the box on the left of the province you will be sent to the nearest shops where you can buy the product.
Here's the address:
http://www.webmobili.it/
Tuesday, December 14, 2010
What Does A Cervix Feel Like On Your Period
A new green file format: WWF.
WWF SAVE AS, SAVE A TREE
The WWF is in PDF format That can not be printed out. It's a Simple Way to Avoid Unnecessary printing. So here's your chance to save trees and help the environment. Decide for yourself Which documents do not need printing out - then Simply Save theme as WWF.
WWF SAVE AS, SAVE A TREE
Friday, December 10, 2010
Best Adderal Alternative
Art and Architecture in Rijeka at the turn of centuries (1880-1916) 8
Today Friday, 10 December at 16:30 at the Castello di Miramare, Sala dei Gabbiani, will speak Daina Glavočić, museum curator of the Museum of Modern and Contemporary Art in Rijeka. River, connected to Trieste, Ljubljana and Zagreb, lots of commercial traffic between 1880 and 1916 into a large construction site where they carry their important projects architects, sculptors and artists of Europe from Trieste, Vienna, Leipzig, Budapest and reflect on their core central European city.
Today Friday, 10 December at 16:30 at the Castello di Miramare, Sala dei Gabbiani, will speak Daina Glavočić, museum curator of the Museum of Modern and Contemporary Art in Rijeka. River, connected to Trieste, Ljubljana and Zagreb, lots of commercial traffic between 1880 and 1916 into a large construction site where they carry their important projects architects, sculptors and artists of Europe from Trieste, Vienna, Leipzig, Budapest and reflect on their core central European city.
He speaks in Trieste with Daina Glavočić, museum curator of the Museum of Modern and Contemporary Art in Rijeka, which acts on the subject as part of the exhibition "Miramare Autumn", a series of meetings on Central Europe in the nineteenth and Trieste twentieth century, designed by the Ministry of Heritage and Culture - Superintendence for the artistic and ethno-anthropological history of Friuli Venezia Giulia and the History Museum of Miramare Castle to celebrate the 150th anniversary of the castle of Maximilian and Carlotta. Travel, threshold, beyond borders, passing through. Looking Trieste, joint historical and geographical, cultural and strategic, through these categories, "Miramare Autumn" recounts the genesis of the modern aspects of the city and area to which it belongs. The promotion of the initiative is made possible by the Foundation's contribution CRTrieste. 
Admission free.
Admission free.
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